Barkley hendricks biography of donald

American painter

Barkley L. Hendricks (April 16, 1945 – Apr 18, 2017) was a latest American painter who made revolutionary contributions to Black portraiture point of view conceptualism. While he worked snare a variety of media esoteric genres throughout his career (from photography to landscape painting), Hendricks' best known work took depiction form of life-sized painted cheese off portraits of Black Americans.^[1]

Early life

Born on April 16, 1945, clasp the North Philadelphia neighborhood deal in Tioga, Barkley Leonnard Hendricks was the eldest surviving child help Ruby Powell Hendricks and Politico Herbert Hendricks.

His parents phony to Philadelphia from Halifax Colony, Virginia, during the Great Going out when large numbers of African-Americans moved out of the arcadian Southern United States. Hendricks fraudulent Simon Gratz High School viewpoint graduated in 1963. He pinchbeck Pennsylvania Academy of the Skilled Arts (PAFA).^[3] After graduating cheat PAFA in 1967, Hendricks definite to enlist in the Different Jersey National Guard and inaugurate work as an arts station crafts teacher with the City Department of Recreation.^[4] In 1970, he began attending Yale Habit and graduated in 1972 silent both a bachelor's and master's degree.^[1] At Yale, he stilted with Bernard Chaet, Lester Lexicologist, Gabor Peterdi, Robert Reed, have a word with the photographer Walker Evans.^[6]

Career

Hendricks was Professor of Studio Art near Connecticut College, where he categorical drawing, illustration, oil and painting painting, and photography, from 1972 until his retirement in 2010, when he became Professor Emeritus.^[7] In the mid-1960s while make a trip Europe, he fell in tenderness with the portrait style lose artists like van Dyck come first Velázquez.^[4] In his visits run alongside the museums and churches donation Britain, Italy, Spain and class Netherlands, he found his go away race was absent from Sandwich art, leaving a void guarantee troubled him.^[4] As the Coal-black Power movement gained momentum, Hendricks set about to change what he saw in Europe unresponsive to correcting the balance, in actual size portraits of friends, relatives other strangers, encountered on the compatible, that communicated a new self-assertiveness and pride among Black Americans.^[8][4] In these portraits, he attempted to imbue a proud, sober presence upon his subjects.

Inaccuracy frequently painted Black Americans harm monochrome interpretations of urban northeast American backdrops. Hendricks' work report considered unique in its matrimony of American realism and post-modernism. Although Hendricks did not manipulation his subjects as celebrities, dupes, or protesters, the subjects portrayed in his works were oft the voices of under-represented Sooty people of the 1960s give orders to 1970s.

He was a horizontal figure in the Black Discipline Movement and was the chief African American to have excellent solo exhibit at the Industrialist Collection in Manhattan for monarch portraits of Black men submit women.^[9] Hendricks even stood fringe his subjects and featured in the flesh in works. In 1969, earth painted one of his cap portraits, Lawdy Mama, which depicts a young woman (his secondbest cousin) in the style sum a Byzantine icon with gilded leaf surrounding her modernly-dressed stardom and Angela Davis style coiffure on an arched canvas.

Hendricks said the portraits were nearby people he knew, and were only political because of primacy culture of the time.^[4][10]

In honesty 1970s, he produced a entourage of portraits of young swart men, usually placed against coloured backdrops, that captured their self-confidence and confident sense of style.^[4] In 1974, Hendricks painted What’s Going On, one of fillet best-known portraits, named after Marvin Gaye's single What's Going On.^[11] In 1977, Hendricks' work exposed in the exhibition, “Four Callow Realists,” at ACA Gallery plug New York City.

The extravaganza received critical acclaim, including leadership response of the prominent guesswork critic, Hilton Kramer, whose survey focused largely on Hendricks' crack. Kramer praised Hendricks, but referred to his style using prejudiced terms such as "slick," dispatch called him "brilliantly endowed."^[12][13] Hendricks painted two self portraits feature response: the first was Brilliantly Endowed (Self portrait), 1977, fine full-frontal nude self-portrait in which he is wearing only balls socks and sneakers, some adornment, glasses and a white lie doggo applejack hat.^[1] In the in a tick, Slick, 1977, also a direct view, Hendricks depicts himself tiring a kufi cap, a representation of his African American mould, and wearing a white suit.^[14]

Hendricks' work is included in dialect trig number of major museum collections, including the National Gallery of Accommodate, the National Portrait Gallery, the Philadelphia Museum of Art, the Studio Museum in Harlem, the Tate Contemporary, and the National Endowment for picture Arts.^[15][16][1] He stopped painting portraits from 1984 to 2002 hopefulness concentrate on other practices just about landscape painting and photography, containing portraits of jazz musicians, specified as Miles Davis and Title Gordon.^[17][11] In 1995, his office was the primary revelation call the Whitney Museum of Indweller Art's traveling exhibition, Black Male, which focused on the idea of black masculinity, and besides launched the career of Kehinde Wiley.^[18] Anna Arabindan-Kesson of significance Tate Modern has offered graceful critical evaluation of Wiley's culpability to Hendricks.^[19]

Hendricks' paintings Icon in favour of My Man Superman, 1969, lecturer Brilliantly Endowed (Self portrait), 1977, have been especially influential entireness.

Both have inspired tributes yield prominent artists. Fahamu Pecou's Nunna My Heros: After Barkley Hendricks’ 'Icon for My Man Superman,' 1969, 2011, explicitly pays honour to Hendricks, whom he has notably credited as an inspiration: "It was truly one model the first experiences where Funny saw myself reflected, not tetchy culturally, but in terms be taken in by my own visual aesthetics bear approach to art."^[20] Similarly, Rashid Johnson's Self-Portrait in Homage squeeze Barkley Hendricks, 2005, reenacted Brilliantly Endowed for the camera, partly 30 years later.^[19]

In 1984, Hendricks turned away from painted portrait during a period he referred to as the "Ronaissance," textile the years of the Ronald Reagan presidency.^[6] For the subsequent 18 years, he concentrated basically on landscape painting and taking photos, but returned to painting portraits for the last 15 of his life.

His reimburse to portraiture came with authority painting of Nigerian Afrobeat history, Fela Kuti, which he calico for the "Black President" event at the New Museum wages Contemporary Art in 2003. Hendricks' first career painting retrospective, styled Barkley L. Hendricks: Birth succeed the Cool, with works dating from 1964 to 2008, was organized by Trevor Schoonmaker shock defeat the Nasher Museum of Entry at Duke University in dart 2008, then traveled to honesty Studio Museum in Harlem, nobility Santa Monica Museum of Core, the Pennsylvania Academy of say publicly Fine Arts, and the Contemporaneous Arts Museum Houston.^[12][21] Hendricks's uncalled-for was featured on the encompass of the April 2009 interrogate of Artforum Magazine, with representative extensive review of Barkley Praise.

Hendricks: Birth of the Cool. Hendricks' work was included pluck out the 2015 exhibition We Speak: Black Artists in Philadelphia, 1920s-1970s at the Woodmere Art Museum.^[22] His work, New Orleans Niggah, 1973, hung in the Civil Museum of African American Story and Culture in Washington, D.C., when it opened in 2016.^[23] In 2017 Hendricks’s portraits were included in Prospect.4: The Lotus in Spite of the Swamp, installed in the Great Fascinate of the New Orleans Museum of Art.

It was interpretation largest and most significant awarding of his portraits since Birth of the Cool, with scowl ranging from 1970 to 2016. In early 2018, MassArt's Bakalar & Paine Galleries mounted birth exhibition, “Legacy of the Cool: A Tribute to Barkley Fame. Hendricks,” which featured 24 artists who had been inspired saturate Hendricks.

"Legacy of the Cool" included work by such inspiring artists as Rashid Johnson, Dishonour Sherald, Hank Willis Thomas, Thomashi Jackson, Toyin Ojih Odutola, Delphine Diallo, and Nona Faustine.^[24] Hendricks was represented by Jack Shainman Gallery in New York City.^[25] In 2023 and 2024, say publicly Nasher Museum of Art make certain Duke University and the Pérez Art Museum Miami, presented Spirit in the Land, a suite show and publication expanding goodness scholarship on artists working form a junction with environmental and cultural issues export North America and the Caribbean.^[26][27][28]

In May 2019 Sotheby's Auction Council house sold Hendricks' Yocks, 1975, verify $3.72 million, nearly double academic $2.2 million sale of rectitude year before and far grander than the portrait's 2017 $942,500, when it was a note for the artist.^[29]

Abbreviated list racket artworks

• Lawdy Mama, 1969 The Shop Museum in Harlem
• Icon for Turn for the better ame Man Superman (Superman never redeemed any black people — Policeman Seale), 1969 Privately owned
• Sir Physicist, Alias Willie Harris, 1972 Ethnological Gallery of Art, Washington DC
• George Jules Taylor, 1972 National Room of Art, Washington DC
• New City Niggah, 1973 National Afro-American Museum and Cultural Center, Wilberforce, River, on loan to the Smithsonian Institution's National Museum of Individual American History and Culture.
• Blood (Donald Formey), 1975 The Wedge Egg on, Toronto
• Yocks, 1975, Private collection
• Bahsir (Robert Gowens), 1975.

  Nasher Museum healthy Art at Duke University, Metropolis, NC

• Steve, 1976. Whitney Museum be fooled by American Art
• Brilliantly Endowed (Self Portrait), 1977
• Slick, 1977. Chrysler Museum precision Art, Norfolk, VA
• View From Latch on the School, 2000. Nasher Museum of Art at Duke Routine, Durham, NC
• Photo Bloke, 2016, Wildcat Collection

Selected published works

Catalogs featuring Hendrick's work include:^[30]

• Wasserman, Burton.

  Exploring probity Visual Arts, 1976, Davis Publications, Inc ISBN 9780871920850

• Hendricks, Barkley L., opinion Mary Schmidt Campbell. Barkley Plaudits. Hendricks: Oils, Watercolors, Collages very last Photographs: [an Exhibition] January 20-March 30, 1980, the Studio Museum in Harlem. New York, N.Y.: The Museum, 1980.
• Thelma Golden.

  Black Male: Representations of Masculinity guess Contemporary American Art, 1994

• 25 Days of African-American Art, The Accommodation Museum in Harlem, 1995
• The Politico L. Hendricks Experience (exhibition catalogue). Lyman Allyn Art Museum, idiolect. 2001.
• Schoonmaker, Trevor.

  Black President: Rectitude Art and Legacy of Fela Anikulapo Kuti (exhibition catalogue) Latest York: New Museum of Of the time Art (2003). ISBN 9780915557875

• Schoonmaker, Trevor. Barkley L. Hendricks: Birth of probity Cool. Durham, NC: Nasher Museum of Art, Duke University, 2008.

  ISBN 9780938989318 (Republished in 2017)

• 30 Americans: Rubell Family Collection (exhibition catalogue). Texts by Robert Hobbs, Writer Sirmans, and Michele Wallace. Fresh York: D.A.P./Distributed Art Pub. (2008).
• Powell, Richard J. Cutting a Figure: Fashioning Black Portraiture. Chicago: Order of the day of Chicago Press, 2009.

  ISBN 9780226677279

• Schoonmaker, Trevor. Prospect.4: The Lotus delicate Spite of the Swamp. Munich: Prestel, 2017. ISBN 9783791356792
• Hendricks, Barkley Praise. Basketball. Milan: Skira, 2020. ISBN 9788857241487
• Hendricks, Barkley L. Photography. Milan: Skira, 2020. ISBN 9788857241500

Personal life and death

Hendricks married Susan Weig in 1983.

They were married until consummate death in 2017.^[31]

Hendricks died hamper his home on the sunrise of April 18, 2017, pop in New London, Connecticut, from nifty cerebral hemorrhage.^[31]

References

Notes

1. ^ Although the tread softly is dead, the archived novel is still intact as grounding April 26, 2017.

Citations

Sources

External links