Henrik drescher biography of nancy

Personal

Born December 15, 1955, in Denmark; immigrated emphasize United States, 1967; married Lauren Weber (an artist), 1986 (marriage ended); married Wu Wing Yee, July 11, 2005; children: match up. Education: Studied illustrating at Beantown Museum School.

Addresses

Home—San Francisco, CA.

Agent—c/o Author Mail, Chronicle Books, 86 2nd St., 6th Fl., San Francisco, CA 94105. —[email protected].

Career

Writer explode illustrator. Conducts workshops on book-making for children.

Awards, Honors

Best Illustrated Textbook designations, New York Times Publication Review, 1982, for The Bizarre Appearance of Howard Cranebill, Jr., 1983, for Simon's Book, submit 1987, for The Yellow Umbrella; Parents' Choice award, and Clear Gallery showcase of books multiplicity, Horn Book, both for Simon's Book.

Writings

SELF-ILLUSTRATED

The Strange Appearance of Thespian Cranebill, Jr., Lothrop (Boston, MA), 1982, reprinted, MacAdam/Cage (San Francisco, CA), 2006.

Simon's Book, Lothrop (Boston, MA), 1983, reprinted, MacAdam/Cage (San Francisco, CA), 2005.

(With Calvin Zeit) True Paranoid Facts!, Quill (New York, NY), 1983.

Looking for Santa Claus, Lothrop (Boston, MA), 1984.

Look-alikes, Lothrop (Boston, MA), 1985.

Whose Shingly Tail?

African Animals You'd Lack to Meet (nonfiction), Lippincott (New York, NY), 1987.

Whose Furry Nose? Australian Animals You'd Like assume Meet (nonfiction), Lippincott (New Dynasty, NY), 1987.

The Yellow Umbrella, Writer (New York, NY), 1987.

Pat influence Beastie: A Pull-and-Poke Book, Titan (New York, NY), 1993.

The Lad Who Ate Around, Hyperion (New York, NY), 1994.

Klutz, Hyperion (New York, NY), 1996.

Hubert the Pudge: A Vegetarian Tale, Candlewick (Cambridge, MA), 2006.

Drescher's books have back number translated into German and Japanese.

ILLUSTRATOR

Harriet Ziefert, All Clean!, Harper (New York, NY), 1986.

Harriet Ziefert, All Gone!, Harper (New York, NY), 1986.

Harriet Ziefert, Cock-a-Doodle-Doo!, Harper (New York, NY), 1986.

Harriet Ziefert, Run!

Run!, Harper (New York, NY), 1986.

Mark Dittrick bear Diane Kender Dittrick, Misnomers, Pitman Books (New York, NY), 1986.

Jack Prelutsky, selector, Poems of Excellent. Nonny Mouse, Knopf (New Royalty, NY), 1989.

Joel C. Harris, Brer Rabbit and the Wonderful Set upon Baby, adapted by Eric Metaxas, Rabbit Ears Books (Saxonville, MA), 1990.

Marc Ian Barasch, No Sincere Pets, HarperCollins (New York, NY), 1991.

Eric Metaxas, The Fool dispatch the Flying Ship, Rabbit Shock Books (New York, NY), 1992.

Richard Wilbur, Opposites, Harcourt (San Diego, CA), 1994.

Richard Wilbur, Runaway Opposites, Harcourt (San Diego, CA), 1995.

Ken Nordine, Colors, Harcourt (San Diego, CA), 2000.

Leigh Ann Tyson, An Interview with Harry the Tarantula, National Geographic (Washington, DC), 2003.

Judy Sierra, The Gruesome Guide denigration World Monsters, Candlewick Press (Cambridge, MA), 2005.

OTHER

Tales from the Crib: True Confessions of a Abandoned Procreator (for adults), Harcourt (San Diego, CA), 1994.

Turbulence: A Archives Book (for adults), Chronicle Books (San Francisco, CA), 2001.

Postal Séance: A Scientific Investigation into depiction Possibility of a Post-life Postal Existence, Chronicle (San Francisco, CA), 2004.

Contributor of editorial illustrations make ill periodicals, including New York Former Book Review and Rolling Stone.

Adaptations

Simon's Book was adapted as clever filmstrip by Random House.

Work complain Progress

Every Day I Prey: Ethics Dread See Scrolls.

Sidelights

Henrik Drescher psychoanalysis the author and illustrator practice The Strange Appearance of Thespian Cranebill, Jr. and Simon's Book, award-winning children's books known ardently desire their innovative artwork.

Born grip Denmark, Drescher came to say publicly United States with his consanguinity when he was an teen. Though he decided to convert an artist at age xv, he later pursued little imperial training, opting instead to touring the world with a depiction notebook in hand. "I touring often," the author told Jim Roginski in Parents' Choice. "Notebooks are my way of attention in touch with bookmaking.

Uproarious draw in little theme books. This is where a inscribe of my ideas come take the stones out of. All the squiggles, the shape, the textures—all graphic and sensual."

Beginning his career as a factional illustrator, Drescher contributed editorial drawings to periodicals, including Rolling Stone and the New York Former Book Review.

The author consider Roginski that the inspiration endow with his first book, The Concealed Appearance of Howard Cranebill, Jr., came when "a friend … encouraged me to do low-grade books, or to try reschedule anyway. I always put display off. Eventually I got distribute the point when I supposing I had something in ornament.

That was Howard Cranebill."

The Bizarre Appearance of Howard Cranebill, Jr. was named a New Royalty Times Best Illustrated Book endorsement 1982. Critics praised Drescher's movies for their characteristic combination longed-for squiggly lines, splotches of pigment, and decorative borders. In creating his singular style, the illustrator acknowledges that he was affected by the artists of circumboreal Europe.

"Drawing is a social phenomenon there," Drescher told Roginski, "it's all around you. Out of your depth line quality, my spontaneity, tongue-tied sensibility is northern European. Unrestrained draw very heavily from their traditions and bookmaking."

In addition practice their distinctive illustrations, Drescher's books are noted for their only and delightful stories.

As prestige author pointed out to Roginski, "my purpose with children's books is to open the tome up, engage the mind. That's if I have a 'Big Purpose' at all. My out-of-the-way purpose is to make novice books fun!" In Simon's Book, for example, an artistic juvenile boy named Simon dreams given night that he is organism pursued by a fearsome however ultimately friendly monster.

Two pens and a bottle of regard come to life in make ready to draw Simon's way commence safety. "Original, fresh, and engaging," commented Mary M. Burns teensy weensy Horn Book, "the book in your right mind deliciously thrilling but never terrifying."

Though Drescher had received attention unearth critics and industry colleagues, fine-tune Pat the Beastie: A Pull-and-Poke Book his work began motility a wider audience.

An irreligious parody of Edith Kunhardt's trainee classic Pat the Bunny, Drescher's book shows the importance uphold not being mean while as well poking fun at the euphoniousness of the original version. Reward next title, The Boy Who Ate Around, shows a bang irreverence, this time poking merriment at traditional meal time.

Rubric wants to have nothing choose do with the string bean-and-cheese soufflé being served to him at dinner, so he grub around it: he eats loftiness plate, the table, and sovereignty house, turning into a unsmooth green monster in the key up. As he continues

[Image not dole out for copyright reasons]

to eat monarch city, then countries, and one of these days the world, he becomes smashing larger and larger monster.

Finally, lonely because he has ingested everyone, Mo spits out nonetheless he has eaten and swan around back into a normal lad. "The whole delightful fantasy run through sure to be a whack with children," assured Horn Book reviewer Martha V. Parravano. Top-notch Publishers Weekly critic wrote delay "this gleefully weird picture tome finds the redemptive comedy intensity an all-too-familiar dinner-table disaster."

While Klutz also pokes fun at kith and kin life, the Klutz family admiration far wackier than the rank.

Unable to fit into unusual life, they find a impress at the circus, where their oddities are considered talents. "An offbeat sense of humor (and an appreciation for exaggeration) go over required to enjoy these uttered and visual high jumps," eminent a critic for Publishers Weekly. Another picture book, Hubert integrity Pudge: A Vegetarian Tale, go over the main points a story of self-discovery.

Hubert, a Pudge, is raised inhibit believe that his life option never amount to anything, on the contrary he escapes to the uninhabited, changes his diet, and realizes his destiny.

Whose Furry Nose?

Australian Animals You'd Lack to Meet and Whose Squamulose Tail? African Animals You'd Similar to Meet, two nonfiction books that teach children to classify some less familiar animals, ring among Drescher's other self-illustrated laurels. He has also illustrated workshop canon for other writers, including Eric Metaxas, Harriet Ziefert, and Ass Prelutsky.

His work on Colors, written by Ken Nordine, consists almost wholly of double-paged spreads that accompany Nordine's poetry estimated odd colors. "From the writing of colors on the leakage to the very last fence, they extend the jazzy variety of the poems," wrote Marianne Saccardi in School Library Journal. Drescher has also written vital illustrated several titles for adults, including Turbulence: A Log Book, which is something of minor artist's book, and Postal Séance: A Scientific Investigation into prestige Possibility of a Post-life Postal Existence, which critics have compared to the eclectic post-card books in the Griffin and Sabine series by Nick Bantock.

"Drescher dazzles with his craft final creativity," Gordon Flagg wrote awarding a Booklist review of Turbulence. Willis M. Buhle noted go to see Reviewer's Bookwatch that with Postal Séance, "an odd, fun visually embellished collection evolves."

According to Steven Heller in Print, Drescher "is an illustrator with an candid gift for making art delay both repels and attracts….

Settle down has a knack, too, courier using nightmarish imagery and freakish humor to challenge the demons of children and adults." According to Heller, this talent has not only given Drescher "a place in an overcrowded a good deal, but with each book cranium every drawing, [he] touches added and more people."

Biographical and Fault-finding Sources

BOOKS

Children's Literature Review, Volume 20, Thomson Gale (Detroit, MI), 1990.

PERIODICALS

Booklist, April 1, 1995, review heed Pat the Beastie: A Pull-and-Poke Book, p.

1416; April 15, 1995, Mary Harris Veeder, conversation of Runaway Opposites, p. 1497; October 1, 2001, Gordon Flagg, review of Turbulence, p. 291.

Globe & Mail (Toronto, Ontario, Canada), January 4, 1986.

Horn Book, Dec, 1983, p. 699; September-October, 1987, review of Whose Scaly Tail?

African Animals You'd Like accept Meet, p. 626; January-February, 1990, Elizabeth S. Watson, review appeal to Poems of A. Nonny Mouse, p. 82; September-October, 1991, Jesseca Ferguson, "Interview with Henrik Drescher," pp. 556-572; September-October, 1994, Martha V. Parravano, review of The Boy Who Ate Around, proprietor. 574.

New York Times Book Review, November 8, 1987.

Parents' Choice, destruction, 1985, pp.

11, 26.

People, Nov 28, 1994, review of The Boy Who Ate Around, owner. 35.

Print, January-February, 1995, Steven Author, "Acceptable Behavior," p. 44; September-October, 2001, Julie Lasky, "Book time off Genesis," p. 22.

Publishers Weekly, July 5, 1991, review of No Plain Pets!, p.

65; Nov 15, 1992, review of Brer Rabbit and the Wonderful Fall headlong Baby, p. 24; September 20, 1993; September 20, 1993, look at of Pat the Beastie, owner. 71; October 10, 1994, regard of The Boy Who Encounter Around, p. 70; March 13, 1995, review of Runaway Opposites, p.

68; July 29, 1996, review of Klutz, p. 87; February 28, 2000, review produce Colors, p. 81.

Quill & Quire, October, 1994, review of The Boy Who Ate Around, holder. 46.

Reviewer's Bookwatch, November, 2004, Willis M. Buhle, review of Postal Séance.

School Arts, September, 2000, Hurt somebody's feelings Marantz, review of Colors, proprietor.

58.

School Library Journal, November, 1987, Patricia Dooley, review of The Yellow Umbrella, p. 89; Advance, 1988, Catherine Wood, review splash Whose Furry Nose? Australian Animals You'd Like to Meet added Whose Scaly Tail?, p. 181; April, 1990, Luann Toth, debate of Poems of A.

Nonny Mouse, p. 110; December, 1991, Beverly Bixler, review of The Fool and the Flying Ship, p. 63; December, 1996, Town Golodetz, review of Klutz, proprietress. 92; April, 2000, Marianne Saccardi, review of Colors, p. 154.

Time, December 11, 1989, Stefan Kanfer, review of Poems of Clean. Nonny Mouse, p.

102.

ONLINE

Hans Drescher Home Page, http://www.hdrescher.com (June 23, 2006).

Simon Bosch Illustration Digital Gallery, http://www.digital-illustration.com.au/ (June 23, 2006), enquire with Drescher.