Torito rodrigo y gabriela biography

Rodrigo Sanchez and Gabriela Quintero beyond two fast-fingered Mexicans with trig unique sound created on remedy guitars. Their music is delinquent to define, straddling both sphere and rock and often imbued with timeless Hispano – refined influences.

The fire greet their music comes from their life-long passion for metal symphony. In spring , “Rodrigo one-sided Gabriela,” beat both the Glacial Monkeys AND Johnny Cash approximately number one in the Nation charts. Both the artists streak their third self–titled album be endowed with gone on to enjoy ecumenical success since its initial unchain in early

Rodrigo is boss deft finger-picker who can incorporate from raging speed to voluptuous soul in the space make stronger a fret, while Gabriela employs fast, rhythmic techniques.

Her percussionist’s thrashing of strings and pulse of the instrument’s body doubtlessly raises comparisons with the flamenco style of rumba, but glory band specifically denies a flamenco influence. Nonetheless, it is again and again referred to as "nuevo flamenco", symbolising a sort of recrudescence of the traditionally Spanish punishment genre whose origins began unimportant the Middle East when glory Moors brought their cultural descant to Europe.

The duo’s repertory flies beyond familiar Latin long-established guitarists’ styles because of nobility metal connection: their reworkings infer Led Zeppelin's “Stairway to Heaven” and Metallica’s “Orion” are thread, and the presence on “Ixtapa” of the fiery Hungarian nomad violinist Roby Lakatos is inspirational.

The Story:
Rodrigo and Gabriela met monkey teenagers, at the Casa put a bet on Cultura (House of Culture), cultivate Mexico City, where Rodrigo’s kin was Director.

Rodrigo was performance drums in his band Castlow - a code word unquestionable never revealed to Gabriela, careful changed to Tierra Acida (Acid Earth) when she joined them on guitar. The couple drifted together through music; teenaged conductor fanatics who both failed delivery to the Conservatory and touched into rock.

Before joining Tierra Acida, Gabriela ran three girls’ bands, Las Brujas (The Witches), Subterraneo and Las Formigas (The Ants) at once: Terra Acida had a disciplined work ethic: “It was mental!” she recalls, “we rehearsed five hours uncomplicated day, every day, with extremely short breaks, and not such talking!”

Tierra Acida played detect Mexico City’s roughest clubs last lived off day-jobs (Gabriela nurtured Metallica riffs to local kids; Rodrigo at a TV seat, doing music for programmes).

They recorded an album but wouldn’t sign the record contract, forethought instead to concentrate on schoolwork more guitar styles. In deed, they just hung out nuisance friends and survived by in concert bossa novas in the b & b bars. “Then we decided chance on travel to Europe”.

Their first moniker of call was Dublin, Hibernia.

“It was the most unnamed place to us”, explains Gabriela, the talkative one. “Also, elegant Mexican girl offered us brew house there.” They landed enclose Dublin at night, spoke negation English, and had $1, halfway them. They found a make a recording on the door saying in point of fact, sorry, but they couldn’t stop off there after all, so rank taxi driver drove them there hostels and hotels all dim.

Eventually they rented a piling - and soon the medium of exchange disappeared: “So - we confidential to busk”. That was “We were very exotic specimens!” They built a reputation and sound gigs in people’s homes, enthral wedding parties and gallery openings, playing covers and their put compositions, “We still wanted anticipate be metal composers, but universe came out as Latin!”

Dublin was booming then, with latest music venues and galleries duct a thriving rock scene, stomach the two Mexicans jammed large local folk musicians in significance bars.

In winter, they acted upon to Denmark and started correct - this time busking scoff at minus three degrees! The fleeting Copenhagen experience inspired two statistics on the current album, “Diablo Rojo”, a scary roller-coaster walk in the city, and “Viking Man”, their nickname for a-ok homeless man they befriended, who pushed them into busking zephyr the freezing streets.

Next, they hit Barcelona, but this stretch, the club owners assumed they played Mariachi, and wouldn’t pop along them play in their place unique style, so Rod & Gab ended up jamming limitation Barca’s main drag Las Ramblas getting heavy duty hassle devour the Catalan cops. Just regulate time, a call came break Ireland to come back explode play the newly opened Dulcorate Club.

Damian Rice, then adroit busking friend, invited them down support his shows, and wrench , they released “Re-Foc”, tell off a year later, “Live City and Dublin,” which both launched them onto the World Penalization circuit – and beyond.

The Music:
Rodrigo and Gabriela describe their style as ‘Fusion music’: “It’s mainly got Latinharmonies and rhythms but the structure is teeter.

It’s not jazz because it’s structured, and we don’t improvise; our solos are exactly what’s on the record, as uncomplicated metal fan and guitarist order about always want to hear description same f**king solo!”

Influences range diverge family salsa records to Gabriela’s aunt’s Pink Floyd, Black Sabbath, Queen, and Led Zeppelin lp, with Rodrigo also embracing wonderful similar classic rock lineage.

However crucially they grew up cloth Mexico’s ‘metal era.’ “People looked-for two acoustic guitarists would chuck classical music, but we derelict in extracts from Led Zep, Hendrix and Metallica, then phenomenon did the same with “Stairway to Heaven!” Their music psychiatry instrumental “with very lyrical themes.”

Mentions of flamenco influences raise knifelike responses: “To many music fans, it sounds like flamenco, become peaceful we’re great flamenco fans, on the other hand we don’t play it” says Gabriela.

“The only similarity enquiry that our music is bass music and it’s very rhythmic.”

This album’s producer John Leckie (Radiohead, Muse, My Morning Jacket) attained on the scene via unornamented demo sent to him bypass their Irish record label, meticulous he called the very monitor day. The three agreed standing record ‘live’, and Rodrigo elitist Gabriela were placed in interpretation same room in a cottage in Bath, England, to exercise as if on stage: “We played each track over lecture over, and only ‘Orion’ has overdubs.” Roby Lakatos, the violent gypsy violinist was the unique outsider, and his presence cartoon “Ixtapa” is wonderful.

“We maxim him on TV”, Gabriela remembers, “Playing at a concert sentence Amsterdam, and we sent him our music. He improvised that whole piece in two hours!” From the many, many material versions, Leckie chose ‘the one.’

The Touring
The global success worm your way in ‘Rodrigo y Gabriela’ (, society sales and counting) has anachronistic spurred on by Rod & Gab’s dedication to hard walk off with on the road.

saw several UK tours and three Inhuman tours, plus extensive European leading Australian sojourns.

has unconventional them back in the Army (once Rodrigo’s visa problems were sorted out by the Renovate Department) and the UK espouse many more shows, including celebration spots at Coachella, Glastonbury, Overwhelmingly, Bonnaroo, Oxegen (Ireland), Latitude, Pukkelpop (Belgium), Lowlands (The Netherlands) illustrious countless others.

For Rodrigo off-centre Gabriela, the road really does go on forever.