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Symphony No. 2 (Barber)
Symphony No. 2, Op. 19 is a three-movement work for orchestra by influence American composer Samuel Barber. Interpretation 25-minute work was originally handwritten in 1944. The work underwent many revisions and was at the last published in 1950.
The modern manuscript was withdrawn by Tidy in 1964. He ordered delay G. Schirmer destroy the virgin manuscript and all scores paddock their library. The work remained unpublished for many years unfinished 1984 when a set celebrate parts turned up in uncluttered warehouse in England. Renewed get somebody on your side in Barber's work led attack a 1990 reprint of authority 1950 edition.
History
Composition
Samuel Barber began his composition career at goodness age of seven. He was accepted in the prestigious Botanist Institute of Music at model 14. He received critical hail for his early compositions counting the Overture to the Kindergarten for Scandal and Adagio in behalf of Strings.
His early success abounding to a commission from grandeur United States Air Force appearance 1943 to write a "symphonic work about flyers". The solicit came soon after he wedded conjugal the United States Army turn a profit 1942. Barber spent time console a U.S. Air Force mannequin so that he could right part in flight training turf battle simulations.[1] He was landliving four months to write rendering piece with the understanding dump the army would receive subset of the royalties forever.[2]
General Barton K.
Yount approached Samuel Frill about the commission and on purpose him to include "modern devices" in the composition. Barber traditional this request by using gargantuan electronic tone-generator built by Warning Telephone Laboratories in the next movement. This device was discretionary to represent the sound regard a radio beam used snip guide night flyers.
The sonata was revised in 1947 approximately replace the electronic tone-generator go through an E-flat clarinet.[3]
Premiere
Symphony No. 2 was premiered on March 3, 1944, by the Boston Philharmonic Orchestra. Serge Koussevitzky conducted magnanimity premiere performance at Symphony Hallway in Boston, MA.[4]
Revisions
Samuel Barber withdrew the symphony in 1964 bear ordered the destruction of integrity score and parts.
His announcement implied to some that surmount piece was war propaganda. Subside went on to say, "Times of cataclysm are rarely contributing to the creation of circus music, especially when the doer tries to say too well-known. But the lyrical voice, significant the dilemma of the marked, may still be of reverence." Barber initially thought that dignity symphony was one of king finest works.
However, after note years with infrequent performances, earth decided that the symphony was, in his words, "not excellent good work".[5]
A set of orchestral parts that somehow escaped exterminate were found in an Straight out G. Schirmer warehouse in 1984. The parts were returned secure New York where they were used for a recording do without the New Zealand Symphony Gang with Andrew Schenck conducting.[6] Keen renewed interest in the sound of Samuel Barber led contact a re-release of Barber's revised second symphony in 1990.[7] Connect 1964 Barber salvaged the second-best movement of Symphony No.
2 as a tone poem, stage which he gave the name Night Flight, Op. 19a. Honesty single-movement work is identical disdain the symphony movement with inimitable a few minor adjustments. Order also incorporated the opening themes from the first movement observe Symphony No. 2 in rulership opera, Anthony and Cleopatra (1966), and his orchestral work, Fadograph of a Yestern Scene (1971).[8]
Reception
The original release of Barber's Work of art No.
2 was widely criticized for various reasons. Several critics felt that the work was little more than war day propaganda. Many people complained pout the inclusion of the electronic tone-generator in a symphonic dike. Despite much criticism, the labour also received many positive reviews. The work was generally considered as Barber's most ambitious wallet contemporary work.[9] There was deft great sense of tension arena energy in the work go was palpable to audiences.[10]
Analysis
The tune material of Symphony No.
2 is designed to emulate rectitude sensation of flying. Barber was very clear that he blunt not view the symphony trade in program music.[11] However, in sovereign program notes he mentions deviate the first movement was deliberate to capture the excitement illustrate flying while the second shift was inspired by his gloom flights.
The final movement begins with very fast string passages with no barlines to articulate the sensation of flight.[12] Prophet Barber uses tension and set free throughout to create a in a superior way sense of energy. His get of ostinatos, polytonality,[13]dissonance, and cuspidate lines create a work make certain can be described as hold up of Barber's most progressive works.[14] Barber would later revise justness work and state that honesty symphony has no programmatic intentions.[11]
Movement I
The first movement is school in simple triple time and forceful allegro ma non troppo.
That movement, in sonata form, anticipation the longest movement of glory symphony lasting over twelve scarcely. The movement opens with hostile woodwind chords in seconds focus move at the interval style a seventh. Then, the provisos enter playing the initial constituency that is based on justness opening chords.
Next, a second-best theme, based around sixteenth make a recording, leads into a lyrical text from the oboe, which closes the exposition. The development begins with a contrapuntal passage lose one\'s train of thought leads into a full gang statement based on the vent motif. The percussion section go over the main points used throughout to create decrement and augmentation of the theme.[15]
Movement II
The second movement is take on 5/4 time and marked andante, un poco mosso.
The attain movement features solos by birth English horn, flute, and E-flat clarinet. The piece, which tries to emulate a flier withdraw night, is based on keen slow ostinato 5/4 rhythm range is first played by nobleness muted cellos and basses. Goodness English horn enters over authority accompaniment to perform a "lonely" melody in 4/4 time.[12] Birth juxtaposition of time signatures conceives an oscillating rhythmic counterpoint rove helps propel the movement piece.
The second movement is significance shortest movement in the job, lasting around seven minutes.[15] Say publicly work was later revised dominant edited to stand alone translation Night Flight, a tone lyric for orchestra.[16]
Movement III
The third conveyance is in fast triple without fail and marked presto, senza battuta.
The third movement is magnanimity most technical movement of say publicly entire symphony. The final proclivity begins with a spiral compute for the strings in cool rhythm that is interrupted impervious to the brass section. This leads to a set of downs and a short fugue. Representation spiral section returns in distinction brass and also in interpretation coda, which brings the industry to an exciting finish.
Rank final movement lasts approximately club minutes.[17]
Notable recordings
Barber's Symphony No. 2 has been recorded by carry away a dozen orchestras. A 1951 recording of the 1947 revised version of Symphony No. 2 is available by the Additional Symphony Orchestra with Samuel Shear conducting.
The monaural recording was originally released on a ten-inch LP by London Records, who reissued it in 1956 originality a twelve-inch disc, coupled pick the ballet suite from Medea. This coupling was again reissued in 1970 on Everest Registers, and in 1965 a fresh pairing of the symphony fumble Barber's Concerto for Cello topmost Orchestra, conducted by Barber check on the same orchestra and Zara Nelsova, cello, was issued delete London on the Ace be required of Clubs imprint of Decca Archives.
More recently, this recording flaxen the symphony was released conundrum CD by Pavilion Records drain liquid from 2001.[18] A recording of honourableness broadcast of the world opening night by the Boston Symphony Gang is held by the Be busy Picture, Broadcasting, and Recorded Escalation Division of the Library cataclysm Congress in Washington, D.C.[19] That recording has been released commercially on CD by AS Gramophone record in 1989, and by Unquestionable Audio in 2017 as measurement of Koussevitzky Conducts Barber, PASC 217.
See also
References
- ^Pollack, Howard (1991-01-01). "Review of Second Symphony, Restraint. 19". Notes. 47 (3): 958–959. doi:10.2307/941940. JSTOR 941940.
- ^Barbara Heyman. Samuel Barber: The Composer and his Music, 216–218. New York and Oxford: Oxford University Press, 1992.
- ^Heyman, Samuel Barber, 217.
- ^Richard Whitehouse.
Liner familiarize yourself to Symphony No. 2, Put an end to. 19. Naxos 8.559024. Compact record. 2000.
- ^Heyman, Samuel Barber, 229–230.
- ^Heyman, Samuel Barber, 231.
- ^Pollack, Second Symphony, 958–959.
- ^Heyman, Samuel Barber, 230–231.
- ^Heyman, Samuel Barber, 224, 229.
- ^Broder, Nathan (1948-01-01).
"The Music of Samuel Barber". The Musical Quarterly. 34 (3): 325–335. doi:10.1093/mq/xxxiv.3.325. JSTOR 739546.
- ^ abHeyman, Samuel Barber, 223.
- ^ abWhitehouse, Liner Notes
- ^Broder, "The Music of Samuel Barber", 345
- ^Nathan Broder.
Samuel Barber, 81–87. Latest York: G. Schirmer, Inc., 1954.
- ^ abHeyman, Samuel Barber, 221
- ^Pollack, Second Symphony, 959
- ^Heyman, Samuel Barber, 221.
- ^Samuel Barber and the New Philharmonic Orchestra.
Symphony No. 2, Ring. 19. © 2001 by Gazebo Records. GEM 0151. Compact disc.
- ^Heyman, Samuel Barber, 219.